索多玛1
`:20天：:\前世与今生

Th] e movie "120`
days [@[of Sodom" is the work [!o^^;-$f Italian d@irect;[or Pier P(aolo Pasolin-i shot wr(itte;\n 
=no*v)els `o.\;@f the Marq uis de Sade "Sodom one hundred twenty d=ays\$ or @indulge- /+nce#/* school," ad_$apte^:d f+\rom t,]he movies. .?[Pasoli.ni _or [;iginal st[ory the place!( from the^= *%^18th-century Swis:$s mountains Cas!)t?]+le r^+:eplac]ed$#= by the 20th century, the end of-_# World W:`ar II in n #^ort/,^hern *=It[
aly near colla

p:%se)% of the Salo Rep$ublic. The ]
+s-tory o*f[[ m)!odern
po:w`er and personal *?:relationship\ , a@@ metaphor of !?;t[he con.`%sumer societ\y. Paragraphs cons ` ti\@_tute the film b#.=o?rro)^ws D%
(+;ante's "Di$vine` Comedy" is divided in:`to "th!)[e ga;tes+ ! of hell, the" meta:(@morphos[is he` ll "" manure 
@H (ell "an_d" blood he: _ll chapt./e`rs($?^. T he film i.s/./ known as the first of the w.%-^or`
ld's top te!n:-; banned:- film